Rene Lalique: Art Nouveau, Symbolism And Naturalism

Whilst Rene Jules Lalique's childhood years seemlarger Parisian jewelry houses. By 1885, Rene was
to be shrouded in somewhat of a mystery, it isworking for himself. Destape retired and
known that he was born to Jules and Olypeownership of his business was transferred to
Berthellemy Lalique on the 6th April 1860. For theLalique. Now, with a fully staffed workshop and
first two years of his life the family lived in Ay, infree from the restrictions of working for
the Champagne region of France, about a hundredsomeone else, he could fully concentrate on his
miles to the northeast of Paris. By 1862 theown Art Nouveau designs. Which, featured heavily
family had moved to Paris where his fatherin the French jewelry trade magazine "Le Bijou"
worked as a merchant dealing in novelties.and were met with much admiration and imitation
Throughout his childhood years, Rene and hisfrom his competitors. Lalique's "magic" was in the
family made frequent return visits to their ruralway he steered clear of the usual precious metals
roots to see family and friends. This is where andand expensive gems-stones, instead,
when his love of nature began to develop. Heconcentrating more on cheaper materials such as:
loved to take walks with his grandfather into thetranslucent enamels, semi-precious stones and
surrounding countryside and woodland, where heivory etc. By 1900, Lalique had reached the
studied nature at close quarters. Nature fascinatedpinnacle of his jewelry career. He exhibited at the
him; he loved everything about it, fromExposition Universelle Internationale in Paris and
vegetation to animals. He began his education atwon international praise for the way that he
Turgot Lycee near the Parisian suburb ofintertwined symbolism and naturalism. However,
Vincennes, where he studied art and wasdismayed by the way that his work was
awarded first prize in a drawing competition duringconstantly being copied, Rene's attention began to
his time there. At the age of sixteen, shortlydrift away from his jewelry "art forms" and
after his father's death, Rene, in all probability,toward glassmaking. By 1909, Rene had begun
steered by his mother, embarked upon hismaking perfume bottles for Coty. Prior to this
apprenticeship with Louis Aucoc, one of thetime, most perfumes were sold in plain bottles.
leading Parisian jewelers of the day. His time thereLalique drew upon his experience and created
was spent helping Louis in the creation of the thenbottles that evoked the nature of the perfume
popular Rococo styled jewelry and learning thethat they contained. By the Nineteen Twenties, he
tools, materials and techniques of his trade. Hewas also creating bottles for some of the
also took evening classes at the local school ofgreatest French perfumeries of the era:
decorative arts. Having finished his training, inHoubigant, d'Orsay and Molinard to name but a
1878, Rene moved to the London suburb offew. Within a few years, his glassmaking talents
Sydenham where he studied at The Crystalhad expanded to include: statuettes, vases,
Palace School of Art, Science and Literature for atableware, bowls and, amongst other things,
couple of years. During his stay in England, Laliquearchitectural panels. These panels could be found
spent much of his spare time at London'saboard the greatest ocean liners of the day and
museums; he loved them. By 1880, Rene haddecorating the dining car of The Orient Express. It
returned home to Paris and took up training as adidn't stop there. His glass mascots could be found
sculptor in his spare time whilst working as aadorning the hood of many of the more luxurious
wallpaper and fabric designer through the day. Acars of the Roaring Twenties. Indeed, these are
year later, he had settled into working as athe most sought after collectibles today. The
professional jewelry designer for Jules Destape,Lalique factory closed in 1939 for the duration of
this would be his career for the next twentyWorld War II. Unfortunately, Rene died on the 5th
years. In addition to holding down a full-time jobMay 1945 and never witnessed its reopening.
he also took on freelance work for some of the